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	<title>ART TKO thoughts... &#187; unfinished</title>
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		<itunes:summary>documenting the steps</itunes:summary>
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		<title>Second time&#8217;s a charm&#8230;</title>
		<link>http://www.teresahko.com/2010/01/second-times-a-charm/</link>
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		<pubDate>Sat, 23 Jan 2010 22:53:06 +0000</pubDate>
		<dc:creator>tko</dc:creator>
				<category><![CDATA[unfinished]]></category>

		<guid isPermaLink="false">http://www.teresahko.com/?p=139</guid>
		<description><![CDATA[&#8230; or third.  The gray stage is a good time to make adjustments to the drawing.
When you know your subject really well, it&#8217;s really easy to get fixated on imperfections.  The positions of the eyes and nose were really bothering me, and if you flip through the various gray stage images, you&#8217;ll see how I [...]]]></description>
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	<h3>Sorcha - Rub Out</h3>

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<p>&#8230; or third.  The gray stage is a good time to make adjustments to the drawing.</p>
<p>When you know your subject really well, it&#8217;s really easy to get fixated on imperfections.  The positions of the eyes and nose were really bothering me, and if you flip through the various gray stage images, you&#8217;ll see how I keep making small adjustments until it looked right enough.  I particularly like how the eyes suggest the tilt of her head.</p>
<p>The gray stage just used a combination of raw umber and white.  In the color stage, Sorcha&#8217;s fur is made up with a transparent red oxide, ultramarine blue, and alizaron.  The fur by her nose is highlighted a bit more with specks of blue and black.</p>
<p>The <a href="http://www.fao.com/product/index.jsp?productId=3743890" target="_blank">FAO Schwarz Patrick pup</a> that Sorcha is holding was terribly tedious.  First, I layered in the dark brown, mostly a combination of raw umber and transparent red oxide.  Then I brushed in each fur clump in a creamier brown, each time stepping back to make sure the overall gradient matched the shape of pup.  In the end, though, I think the contract between Sorcha&#8217;s super soft looking fur and Patrick&#8217;s shorter clumpy fur works really well.</p>
<p>Lucky for me, Sorcha&#8217;s sister, Bianca, just worked out easily.</p>

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	<h3>Bianca - FInished</h3>

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		<title>A Work in Progress</title>
		<link>http://www.teresahko.com/2008/12/a-work-in-progress/</link>
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		<pubDate>Sat, 20 Dec 2008 23:04:21 +0000</pubDate>
		<dc:creator>tko</dc:creator>
				<category><![CDATA[unfinished]]></category>

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		<description><![CDATA[I&#8217;ve hesitated to paint Sorcha, because how could I do her justice?  She&#8217;s just too cute.  But, I saw this picture and couldn&#8217;t resist.  Gotta start looking for a Bianca pic now too, so they can be together.
At the Kline Academy, we all start our paintings with a rubout.  We  cover the canvas with a [...]]]></description>
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	<h3>Sorcha - Original</h3>

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<p>I&#8217;ve hesitated to paint Sorcha, because how could I do her justice?  She&#8217;s just too cute.  But, I saw this picture and couldn&#8217;t resist.  Gotta start looking for a Bianca pic now too, so they can be together.</p>
<p>At the Kline Academy, we all start our paintings with a rubout.  We  cover the canvas with a layer of oil and raw umber. Then we start to rubout the image with a cloth, rubbing more on the whiter parts of the image.  The process is typically frustrating for me, because it looks like a mess closeup.  But it really does make the whole painting process easier in the end.  It forces me to figure out the relative lightness and darkness of the overall composition.</p>
<p>The next stage is the grey stage.  We mix raw umber with white, and start painting a grayscale version of the painting.  Here, we can get into all the little details.  It always starts out rough, but its getting there slowly.  The nose and eyes are still a little funny.  I&#8217;m surprised out how well the fur is turning out in some parts&#8230;Even i&#8221;m convinced that ear is covered in fur and laying on fur&#8230; very weird!</p>
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